#SLY COOPER PC HOW TO#
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#SLY COOPER PC PS2#

Sly's in exactly the same spot he was nearly a decade ago, while other games and franchises have spent that time improving AI and level design.

#SLY COOPER PC HOW TO#

The bad pacing in level design, the overwhelming mix of things to do without any sense of how to piece them together into a strong experience, the production values that veer back and forth between fantastic and non-existent ГўВЂВ” it feels like, well, a PlayStation 2 game.

Little things like that really add up throughout Sly Cooper: Thieves in Time.

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Wrap Up: Sly Cooper hasn't learned any new tricks since his PS2 days Sanzaru has captured the disgust in Murray's eyes as he stares down a piece of broccoli during his idle animation, yet they haven't properly animated Sly's mouth during some close-up dialogue scenes. These small touches make the rough patches stand out even more. Whether you're in ancient Japan or medieval England, each area has lots of little unique details to set it apart, and the characters exhibit some wonderful personality-building animations. These questionable characters aside, the art design in Thieves in Time serves the game well. I don't need a ton of depth from the villains for a cartoon raccoon, but there's something uncomfortable about a rogues gallery consisting of a rapping thug obsessed with graffiti, an overweight classical music enthusiast, and a French super villain whose main character trait is that he smells bad. They're not much fun to fight and survive too many hits from Cooper's cane, but they're also borderline offensive stereotypes. The villains themselves are a huge disappointment.

#SLY COOPER PC FULL#

It takes Sanzaru too long to hone in on what makes the series special in the first place, but these levels are Sly Cooper at its best: rapid swapping between partners in crime, working through lengthy levels full of danger and watching your plan to outsmart the villain come together. The last couple hub worlds discard most of the mini-games from the previous two-thirds of the game and focus on the tricky, stylish mix of stealth and platforming that Sly Cooper is known for.Д®ven in the earlier eras, the chapter-ending missions are on par with the complex, Ocean's Eleven-style heists of the Sucker Punch-developed Sly games. Thieves in Time is back-loaded with the best and most challenging levels saved for the end. Every boss fight goes on just a little too long each era has one or two missions too many and indeed the game itself feels too long with not enough interesting gameplay to back it up.Дon't let the exhaustion overtake you early, though.

But for every situation where three would be satisfying, Thieves in Time has four, five or six. Most platformers follow the rule of three - three hits to defeat a boss, three escalating challenges of the same skills, etc. That repetition extends beyond the mini-games too. These half-baked ideas provide a fine if forgettable distraction from the core gameplay the first time they pop up, but as they reoccur in increasingly difficult incarnations, they become game-stopping annoyances.

At various points, the regular gameplay will be replaced with a dual-stick shooter, a side-scrolling shoot-em-up, a rhythm game, and - worst of all - several challenges that rely on finicky Sixaxis/Vita tilt mechanics. Thieves in Time is strangely obsessed with mini-games. That variety doesn't always work in the game's favor. It's very rare that you'll repeat the same type of level twice in a row. Each era also features a playable Cooper ancestor, adding even more to the game's overabundance of activities. Levels change from beat-em-up excursions as Murray to platforming-centric challenges as Sly to hacking and sniping puzzles as Bentley. If there's one thing that Thieves in Time does undeniably well, it's variety. Each level contains clues to the criminal causing havoc in the era, with every action building toward a giant final heist before the team jumps to a new century. The team may have traded globe-trotting for time travel, but the game's structure remains the same: In each era, Sly and crew explore a large, open overworld area that feeds into smaller, more linear levels.

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